Andrew Cahner is an art model and has done something very,very useful. He’s written a book about the actual art of being a model. And it is an art.
The Art Model’s Handbook is a really valuable resource of knowledge and insight into the actual ‘nuts & bolts’ of posing for artists. For an individual interested in becoming a model, it’s an indispensable tool, full of ideas and techniques based upon real-world experience. Andrew discusses every aspect of life modeling – where to find work, what to expect, what to bring, how to pose, the ins and outs of model releases, and, happily, the importance of security and due diligence on the part of the model.
Sad to say, I have, more than once, found myself obligated to warn a young woman who is interested in life modeling that there are real responsibilities, real physical challenges, and yes, some real dangers in this field. So I am particularly happy that Andrew has written this book, because I think it explains all aspects of the discipline in detail. There are several interviews that are particularly interesting – it’s always great to hear useful information in the first person.
Andrew also includes a short but really intriguing document, written by Nancy Lilly, called “Model’s Protocol’; I just want to quote a snippet that is so true:
“Models deal with a major paradox:
- The model is the most important person in the studio.
- The model has the least power of anyone in the studio.”
Food for thought and discussion, for sure.
I intend to keep a few copies around my studio and give them out when the need arises. There is no question that every art model should read this book; but let me suggest that every figure photographer read it, as well. If you are new to working with a life model, this book will give you a good overview of what you can expect from a professional model, as well as what will be expected of you as an artist and as an employer. By gathering and presenting a basic set of standards and practices, and a clear picture of realistic expectations and responsibilities, Andrew has given us all a guidebook that will make the process clearer for everyone involved.
Also, if, as an artist, you agree that:
- The relationship between artist and model is a collaborative one
- That neither one can function without the consent and support of the other
Then: the better you understand the viewpoint of your model, the better your collaboration will be. Reading ‘The Art Model’s Handbook’ will help you make that relationship stronger and more productive. Well done.
Find out more at Andrew’s website. He has material from the book available for download in .pdf, so you can try before you buy :-)
CR
